Thanks to the "mystery" person who allowed stuff to slip out. I'd gladly pay something to help support the vault and band and employees.
#Charlie miller grateful dead downloads download
Allow greater access to download SBDs, FM, matrix if the shows have been rejected for release. I wouldn't mind flash drives or bigger ones to trade but I'm unaware of any device that can play those on not be a computer.I've tried on different devices with plug in but so far either my few drives aren't in a readable format or the devices I've tried were broke.
No computer worthy of music right now and CD traders are few.
#Charlie miller grateful dead downloads free
Hell, I'd even buy a compilation of 95 "best of" but for 95 I'd rather most all just put out as free sbds. So many blank spots in recordings and information and if its unlisted I'll keep but I won't label incorrectly just because I have suspicion. I look back and I think anything 65 or 66 that I had has been released by now. I think 67 is earliest that I could fill a small case with tapes.
But back to 60s, my collection pre-69 was much fewer with incomplete shows and the shows could be labeled wrong or not at all. Other Audience tapes I had from 70s was much better but not always certain of the specifics except to say complete amateur copies never were in wide circulation. Most 80s audience were nightmares unless someone worked "Charlie Miller type magic" on them but sadly I hadn't heard of him then. Back when I was tape trading I only had a small number of regular sources and by and by the material was great. In the early days pretty much nobody kept track and there are very few recordings until Bear started or unless Pranksters have vids of event, etc. The whole collection can be viewed here : įurther details like the Jerry Garcia original artwork can be viewed here: There are 33 pages altogether, which can be accessed from the main page. It also appears that Jerry Garcia designed several of these items himself.The site that features all of this and more is here: 27, 1965 as well as a Fillmore Acid Test handbill and a handbill for Carthay studios in Los Angeles on March 19, 1966. 1, 1965 and a poster for the first Acid Test at the Spread in Santa Cruz on Nov. A set of tickets for the In Room in Belmont on Sept. Included in this collection was an original hand-colored handbill for the Palo Alto Big Beat Acid Test, as well as a Poster for Mother McCree's at the Tangent in 1964, a Poster for the Warlocks first paid gig at Magoo's on May 5, 1965, a poster for the Warlocks fourth performance at Frenchy's on June 18, 1965, Phil Lesh's first gig. Recently, a whole collection of previous unseen and extremely rare Acid Test posters and handbills has been discovered, including a couple pieces of original artwork by Jerry Garcia.
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